top of page

eGALitarian Brass is a chamber ensemble comprised of New York City's best women and non binary brass players. eGALitarian Brass is dedicated to performing and commissioning new works by diverse composers and breaking the boundaries of chamber music today. eGALitarian Brass enjoys performing indoors and outdoors for audiences of all ages, whether it is an 8 am set outdoors for a street festival, a 12 pm set at a senior center, or an 11 pm set in a brewery. eGALitarian Brass began as an ensemble with an interest in improving the lives of members of our community through music and we continue this part of our mission through our public performances. We love performing all styles of music from standard classical hits to newer classical music written by composers we collaborate with, arrangements of jazz and funk standards, and popular favorites. 

04.16-11.jpg

To stay up to date with eGALitarian Brass and all of their projects: please follow the group on social media @egalitarianbrass

eGALitarian Brass has presented recitals at Newport Classical, Cape Cod Chamber Music Festival, Women Composer's Festival of Hartford, International Women’s Brass Conference, New York Women Composers, and Spectrum’s Female Composers Festival. We have also performed throughout New York City, Long Island, Connecticut, Rhode Island, and New Jersey. eGALitarian Brass also collaborates with drums for performances throughout NYC at venues including Rockwood Music Hall, Drom, HONK Brass Band Festival, The Sampler, as well as private parties, parades and events. eGAlitarian Brass has also collaborated with Little Amal, Alice Austen House, The Penn District / Plaza 33, and Summer Streets for performances. 

​

In addition to our performances, we have been an Ensemble in Residence at Rutgers University, Sacred Heart University, Marist College where we have enjoyed presenting recitals, masterclasses, and led panel discussions. We have also worked with professional composers outside educational programs in both Concept Lab and Composers Concordance on developing new works for brass. 

eGALitarian Brass is extremely passionate about recording new repertoire and bringing high quality recordings of brass chamber music by diverse composers into the public sphere. Our current released recordings include our first commission as an ensemble "When the Clouds Break" by Cait Nishimura and our new favorite anthem "Fanfare for Some Bad Bitches” by Zoe Cutler. 
 
eGALitarian Brass has been awarded several grants over the years to fund our performances and commissions and we are so appreciative of the support.

New York City based low brass specialist Gina Benalcazar is one of the most in demand doublers on the scene. Having degrees in both Classical Performance and Jazz Studies, Gina’s playing can be described as having deep understanding of low brass technique and jazz harmony and language. Under the mentorship of artists such as Michael Dease, Dee Dee Bridgewater, Luis Bonilla, David Gibson, and Doug Purviance, she has had the opportunity to work with some of the world's most prolific band leaders. She can be found playing with The Vanguard Jazz Orchestra, The Roy Hargrove Big Band, Etienne Charles’ Creole Soul, The Rufus Reid Big Band, and others along with subbing on Broadway with Moulin Rouge and Some Like It Hot. She also holds the Trombone and Euphonium seat for the new production of Cornelia Street. In 2017 she won the seat of Bass Trombonist for Rodney Whitaker’s Jazz Orchestra at Dr. Phillips Center in Orlando Florida, is the Bass Trombonist of the Dee Dee Bridgewater Big Band, holds a Tenor Trombone seat in the Ulysses Owens Jr. New Century Big Band and holds the Bass Trombone seat in David Gibson’s Big Band. She’s also played as a sideperson with various ensemble orientations and worked in education with artists such as Michael Dease, Alon Yovnai, Chris Potter, Michael Mossman, Rodney Whitaker, David Gibson, Luis Bonilla, Marshall Gilkes, Conrad Herwig, Kenny Rampton, Marlene Rosenburg, and many more. She is also one of the Administrative Faculty at the Brevard Jazz Institute, under the direction of Michael Dease.

Gina Benalcázar López, Bass Trombone
Pronouns: she/her
04.16-08.jpeg
  • Facebook
  • Instagram
  • YouTube
  • SoundCloud
  • venmo

©2022 by eGALitarian Brass

bottom of page